7. Topic 7(COLON) Printmaking Processes

Lesson 7.4: Editioning, Presentation And Print Studio Practice

Official syllabus section covering Lesson 7.4: Editioning, Presentation and Print Studio Practice within Topic 7: Printmaking Processes: Managing a print run and keeping it consistent.; Numbering, signing and conventions of the edition..

Lesson 7.4: Editioning, Presentation and Print Studio Practice

Introduction

In this lesson, we will explore key aspects of printmaking that focus on editioning, presentation, and safe practices in the print studio. Printmaking is not just about creating art; it's about managing the production process, ensuring consistency, and presenting the final work effectively. By the end of this lesson, you will be able to:

  • Manage a print run and maintain consistency.
  • Understand the process of numbering, signing, and the conventions of the edition.
  • Learn how to trim, mount, and present prints.
  • Practice safe and clean studio habits.
  • Evaluate a print based on its design intention.

Managing a Print Run

Printmaking involves creating multiple copies of an artwork from a single matrix. This practice encourages discipline and planning, as artists need to ensure that each print in the edition maintains fidelity to the original. A well-managed print run can significantly affect the quality of the outcome.

Key Concepts

  1. Matrix: The surface used to create the print, such as wood, metal, or linoleum. It serves as the source of each impression.
  2. Editioning: The process of determining how many prints will be produced from a given matrix.
  3. Consistency: Ensuring that every print in the edition meets the same quality standards.

Example: Planning Your Edition

Suppose you are working on a linocut and have decided to create an edition of 10 prints. Here’s how you can ensure consistency in your print run:

  1. Preparation: Prepare the linoleum block with care. Each cut should be made with the same pressure and precision.
  2. Inking: Use a brayer to apply ink uniformly over the matrix. Consistency in ink application is key to achieving similar results.
  3. Printing: Use the same printing press settings for each print. Even slight changes in pressure or timing can affect the outcome.

After printing, inspect each print closely to ensure uniformity in color, texture, and detail.

Numbering, Signing, and Conventions of the Edition

Once your prints are made, it's essential to understand the conventions of numbering and signing editions. This practice not only identifies the print's status but also adds to its value in the art market.

Key Concepts

  1. Numbering: Prints are usually numbered in the format “1/10,” where the first number indicates the print number and the second number indicates the total number of prints in the edition.
  2. Signing: Artists typically sign their prints in the lower corner, providing authenticity to the work.
  3. AP (Artist Proof): Often, artists make additional prints known as artist proofs, which are marked “AP.” These are kept by the artist and may not be included in the standard edition count.

Example: Numbering and Signing Your Prints

After creating your edition:

  1. On the bottom left corner of each print, you write the number (e.g., “1/10”, “2/10”, etc.).
  2. Below the number, sign your name in pencil, ensuring it is legible. Optionally, you can also date the print to mark when it was created.
  3. For example:
  • For the first print: “1/10 [Signature] [Date]”
  • For the last print: “10/10 [Signature] [Date]”

Trimming, Mounting, and Presenting Prints

Presentation is crucial in printmaking, as it affects how the artwork is perceived. Proper trimming and mounting ensure that the print is not only aesthetically pleasing but also protected.

Key Concepts

  1. Trimming: The process of cutting prints to the desired size. This should be done after printing and drying.
  2. Mounting: Attaching the print to a backing board (like mat board) for support. This helps prevent warping.
  3. Presentation: The way the print is displayed can impact its reception. Consider framing, glass protection, and matting options.

Example: Presenting Your Print

  1. After drying, take a clean cutting mat and a straight-edge cutter. Carefully measure and trim the edges to achieve a consistent size for all prints in the edition.
  2. Choose a backing board to mount the print, ensuring it complements the color and design of the artwork.
  3. Center the print on the board, using acid-free adhesive or hinging tape to secure it, preserving the integrity of the print.

Safe and Clean Practice in the Print Studio

Safety and cleanliness in the print studio cannot be overstated. Safe studio practice is vital for the well-being of both artists and the artwork produced.

Key Concepts

  1. Personal Protective Equipment (PPE): Use gloves, goggles, and aprons to protect yourself from ink and sharp tools.
  2. Workspace Organization: Keep your workspace tidy to avoid accidents.
  3. Clean-Up Procedures: Know how to clean tools and surfaces properly after each session to prevent cross-contamination of inks and materials.

Example: Maintaining a Safe Workspace

  1. Before beginning your print session, gather all materials and tools you will need to minimize reaching across your workspace.
  2. As you work, clean your inking tools immediately after use. A small container of solvent should be used explicitly for ink cleanup.
  3. At the end of each printing session, dispose of any waste materials properly and disinfect your workspace to ensure a safe environment for the next session.

Evaluating a Print Against Its Design Intention

After printing and preparing your works, it's vital to evaluate each print against the design’s original goal. This practice helps artists refine their techniques and ensure that the final product conveys the intended message and aesthetic qualities.

Key Concepts

  1. Intention: Understand what message or feeling you aimed to convey through your artwork.
  2. Comparison: Compare your printed piece to your original sketches or digital drafts.
  3. Feedback: Seek constructive criticism from peers or mentors to gain a different perspective on your work.

Example: Print Evaluation

  1. Take your initial sketches and place them next to your finished print. Assess whether the color, composition, and detail align with your original vision.
  2. If you intended to evoke tranquility, examine if the colors and lines contribute to that feeling. Adjust future prints based on your reflections.

Conclusion

In this lesson, we covered essential topics of editioning, presentation, and safe practices in the print studio. Understanding how to manage a print run ensures consistency and quality, while effective presentation enhances the appreciation of your artwork. The evaluation process encourages continuous improvement, ultimately leading to more refined printmaking skills.

Study Notes

  • Managing a print run involves careful preparation, consistent inking, and uniform printing practices.
  • Print numbering and signing are conventions that authenticate and define the artist’s intention.
  • Proper trimming and mounting enhance the presentation and longevity of prints.
  • Clean and safe studio practices are crucial for maintaining a conducive working environment.
  • Evaluating prints against original design intentions helps improve techniques and outcomes.

Practice Quiz

5 questions to test your understanding