Question 1
In species counterpoint, what is the primary rule for introducing a chromatic note in the counterpoint line?
Question 2
In species counterpoint, what is the recommended approach for handling a leap of an augmented fourth (tritone) in the counterpoint line?
Question 3
In species counterpoint, how should a melodic line approach a leap of a major seventh?
Question 4
In species counterpoint, what is the proper way to introduce a diminished seventh interval in the counterpoint line?
Question 5
In species counterpoint, what is the recommended approach for handling a diminished triad in the harmonic context?
