Question 1
In a two-voice counterpoint, which of the following describes the correct treatment of a leap of a minor sixth (m6) within a single voice?
Question 2
Which of the following best describes the role of a 'neighbor tone' in a contrapuntal line?
Question 3
In a three-voice contrapuntal texture, which of the following is a key consideration when introducing a suspension in one of the voices?
Question 4
Which of the following best describes a 'double suspension' in a contrapuntal texture?
Question 5
In a two-voice counterpoint, which of the following intervals is typically avoided on a strong beat due to its dissonant quality?
