How does technology in composition connect to the broader topic of music technology in the digital age?
Question 2
In a composition workflow that combines a DAW, sampled material, and live MIDI input, which practice best demonstrates an analytical understanding of how technology shapes musical authorship rather than merely speeding up note entry?
Question 3
A student wants a texture that evolves by gradually changing the spectral balance of one sustained sound over $32$ bars. Which digital technique most directly serves that goal?
Question 4
A composer in the digital age uses a sampled drum loop, a synthesized bass, and a recorded vocal fragment. Which statement best distinguishes sampling from synthesis in this context?
Question 5
A producer is comparing two versions of the same work: one is built almost entirely through loop-based editing, and the other is performed live with minimal post-production. Which analytical conclusion is most convincing?
