Question 1
In collaboratively creating original theatre, what is a starting point most commonly used for?
Question 2
Which of the following is the best example of a starting point for original theatre-making?
Question 3
Why is choosing a starting point important in ensemble theatre-making?
Question 4
Which term best describes a process where performers develop material from an initial idea rather than performing an already written play?
Question 5
When an ensemble chooses a theme as a starting point, what is the most likely next step?
